[fusion_builder_container hundred_percent=”yes” overflow=”visible”][fusion_builder_row][fusion_builder_column type=”1_1″ layout=”1_1″ last=”yes” spacing=”yes” center_content=”no” hide_on_mobile=”no” background_color=”” background_image=”” background_repeat=”no-repeat” background_position=”left top” border_position=”all” border_size=”0px” border_color=”” border_style=”” padding_top=”” padding_right=”” padding_bottom=”” padding_left=”” margin_top=”” margin_bottom=”” animation_type=”” animation_direction=”” animation_speed=”0.1″ class=”” id=”” min_height=”” hover_type=”none” link=””][fusion_text]The first in a four-part series on Hazrat Inayat Khan’s teachings on the Mysticism of Sound & Music. Based on his book, The Sufi Message Volume II: The Mysticism of Sound.

Sara Tarana Jobin dedicates her talent to the One who gave it to her and to the Message of Love, Harmony, and Beauty. She is a symphony and opera conductor and a student of Hazrat Inayat Khan’s teachings through the Inayati Order. Professionally, Tarana debuts with LA Opera this June and the LA Philharmonic’s Green Umbrella series next March. She has conducted the San Francisco Opera in seventeen performances of six different productions, including two world premieres, since 2004. She can be heard on disc conducting Frederica von Stade in music of Chris Brubeck, and leading John Musto’s Volpone which was nominated for a Grammy in 2010. From 2015-2018 she has served as Resident Conductor for the Toledo Symphony Orchestra, and since 2011 has been the Chief Conductor of the Center for Contemporary Opera. She comes from a multicolored, multifaith family and pledges her talent to increasing peace.

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