The Mysticism of Sound, Voice & Vibration
Four-part Series, Tuesdays, February 4th, 11th, 18th, & 25th
5:00 – 6:15 pm PT (Los Angeles) / 8:00 – 9:15 pm ET (New York)
Oceania: 12:00 – 1:15 pm AEDT, Wednesdays, Feb 5th, 12th, 19th,& 26th
“If there is anything I ask of you, it is this: you only in the world know the voice that comes in the ears of my heart, for it is the voice which has brought you closer to me. You know whose voice it is, though it is expressed in my words.” —Hazrat Inayat Khan, 1919 address to Murids
You are invited to join Nizam un Nisa Ayeda Husain, LatifaNoor Anderson, Hadi Yves Saint-Pierre, and Michael Harrison in tuning to voice and vibration, opening the ears of our hearts, and further exploring Hazrat Inayat Khan’s The Mysticism of Sound.
This class will offer an opportunity for inner listening, reading, suhbat, and experiencing sacred sound practices including the prayers of Hazrat Inayat Khan set to music.
Whether you are a practicing musician, or your life is your music, you are welcome to join us! This course is open to all—ashiqs, murids and anyone with sincere interest.
The Mysticism of Sound course requires advanced registration and provides video recordings if you are unable to attend every class. A suggested tuition for all 4 classes is $60 ($15 per class) with a student or limited income rate of $48 ($12 per class). Attending all sessions is recommended, but all are welcome to join at any time throughout the course and still receive recordings from the other sessions.
Faculty
- February 4th: LatifaNoor, The Voice
- February 11th: Nizam un Nisa, Spiritual Attainment by the Aid of Music
- February 18th: Hadi Yves Saint-Pierre, Vibrations
- February 25th: Michael Harrison, The Science and Art of Hindu Music
Our text for the class is The Sufi Message of Hazrat Inayat Khan: The Mysticism of Sound.
This course is in English only. Please visit https://www.timeanddate.com/ to find your local time.
If you have questions about the content of the course, please email music@inayatiyya.org. Questions about registration, payments, and logistical details may be sent to astana@inayatiyya.org.
Date
- Feb 04 2025
Time
ET- 8:00 pm - 9:15 pm
Local Time
- Timezone: America/New_York
- Date: Feb 04 2025
- Time: 8:00 pm - 9:15 pm
Cost
- $48 - $60
Location
Organizer
Language: English
Speakers
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Nizam un Nisa Ayeda Husain
Nizam un Nisa is a Shaykha, Cheraga, Guide, Representative and Facilitator of the Anjumani-Islam group in the Inayatiyya. A student of classical Chishti Sufism since 1988 and a devoted follower of the Inayatiyya since 2004, she has led Inayatiyya centers in Lahore, in Dubai and now in Oakville, Ontario where she lives. A journalist and editor by profession with an MA in Journalism/Near Eastern Studies from NYU, Nizam un Nisa is a graduate of the first European Suluk class, Knight of Purity, and mentor to the Naubahar Suluk class. She has led Sufi retreats, taught Sufi meditation to Buddhist monks in Tokyo and been invited to the UN as part of an international delegation of spiritual leaders. She is currently working on setting the Urdu poetry of Hazrat Inayat Khan to music.
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Sarmad Michael Harrison
Sarmad Michael Harrison is a composer and pianist who forges a new approach to composition by blending classical music traditions of Europe and North India, and by utilizing just intonation (the ancient system of tuning based on pure harmonic proportions). He is a disciple of Pandit Pran Nath, Terry Riley, La Monte Young, and Ustad Mashkoor Ali Khan. Harrison received his Masters in Composition at the Manhattan School of Music and is the recipient of Guggenheim and NYFA Artist Fellowships. His music has been commissioned and recorded by leading performers including Grammy-winning vocal ensemble Roomful of Teeth, Alarm Will Sound, and Cello Octet Amsterdam. Revelation, his critically acclaimed work for piano in his own tuning system, was selected among the Best Classical Recordings of the Year by The New York Times and Boston Globe. Harrison seeks expressions of universality via the physics of sound – music that brings one into a state of concentrated listening as a meditative and even mind-altering experience. His recent album Seven Sacred Names is based on the Sufi teachings of the Seven Leading Names. Harrison has been an initiate in the Inayatiyya since 1977.
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LatifaNoor Anderson
LatifaNoor Elizabeth Anderson is a graduate of the Na Koja Abad Global Suluk Academy class, Vice President of the Music Activity for Oceania and the Americas, a Representative in the Inner School, Musical Representative, spiritual guide, retreat guide, and center leader for the Light of Harmony Center, Inayatiyya of Dobbs Ferry. She is also a cellist and vocalist; her Indian raga studies inspired the CD LatifaNoor, a synthesis of Raga and Western classical music for cello, voice, and tampura. As a cellist she has toured China, Japan, Mexico, Italy, England, Germany, Finland, Australia, Israel, India, and the US with the Meliora and Cassatt String Quartets and with the New York City Opera. She has recorded for Telarc, Nonesuch, and RCA and her next recordings will feature sacred vocal music for retreat.
When not traveling for concerts or leading alchemical singing retreats, LatifaNoor loves walking in nature with her basset hound Ruby, cooking for family and friends, and knitting socks. -
Hadi Yves Saint-Pierre
Hadi Yves Saint-Pierre divides his time between music, studying languages and growing organic vegetables. He speaks French and English and can read and understand Intermediate level Chinese and Spanish. He wrote some of the stories from Attar’s Conference of the Birds into song (in French). He also plays piano and clarinet in a musical ensemble that sings the poetry of Rumi in English and Turkish (garoandfriends.ca). He studied the classical singing of Northern India 1996-1997 and again in 2009-2010 and feels called to return to this study.
As a translator, he has been involved with many online events of the Inayatiyya. He recently Pir Zia’s Mingled Waters into French. It was published in France May 30, 2024. He is currently working on a translation into English of Gérard Kurkdjian’s book on musical meditation as it is of interest to the Inayatiyya Music Activity.